Exposé Online banner

Apocalypse — Perto do Amanhecer
(Musea FGBG 4136.AR, 1995, CD)

by Peter Thelen, Published 1995-11-01

Perto do Amanhecer Cover art

This is the second outing for this four-piece from Brazil, their first self-titled album from the late 80s still being a vinyl-only release. Their neo-progressive sound and dramatic styling have rightly earned them the reputation as the Brazilian Marillion (a cover version of "Lavender" on their first album may have something to do with it too). Within the confines of the neo-progressive realm they have produced an album's worth of compositions with fresh originality and renewed fire. Musicianship is of a high caliber, as a band they are tight and don't fall into many of the usual traps — for the first half of the album at least. While this overall style has been worked to death in the last ten years, one wonders if there is any territory within it that hasn't already been covered. Apocalypse proves that there is still plenty of room left to explore. But the problems begin at around the forty minute mark, when all that was good about this album starts to rapidly deteriorate. Parts of "Corta" are nothing more than a blatant ripoff of "He Knows You Know" with some minor variances. The boom-bash neo-drumming becomes unbearable in "Limites de Vento" — a slower, Bowie-like ballad, and some of the ideas on "Lagrimas" are straight rips from Misplaced Childhood. If the last thirty minutes offered as much promise as the first thirty, this might have been a fairly decent album. Unfortunately the band had to go and pad it all out with a bunch of substandard hokum. Makes a convincing argument for keeping CDs short and to the point.


Filed under: New releases, Issue 8, 1995 releases

Related artist(s): Apocalypse, Eloy Fritsch

Latest news

2020-01-21
Gong Announces UK Tour for 2020 – Having spent the last few years touring the world, including dates in Japan with psych legend Steve Hillage, multiple headline European tours and festivals, America’s Cruise to the Edge festival, a South America headline tour, and a headline performance at Tomorrow Festival in China, the band have won the hearts of both traditional and modern Gong fanbases. During this live journey, Gong has delved further into the truly psychedelic, exploratory, and mind-expanding side of the music. » Read more

2020-01-15
Carlos Alvarado RIP – Carlos Alvarado, pioneering composer, multi-instrumentalist and pioneer of progressive rock and electronic experimental music in Mexico, passed away January 14th, 2020 at age 68 after a two year battle with cancer.  » Read more

2020-01-12
Wolfgang Dauner RIP – Pianist Wolfgang Dauner, one of the pioneers of both European free jazz and jazz rock, has died at the age of 84. With his own groups and with the United Jazz+Rock Ensemble, his playing and compositions were a prominent presence in European jazz from the mid-60s until just recently. » Read more

2020-01-12
Michael Allison RIP – Michael Allison, who since 1997 has been recording as Darshan Ambient, passed away on January 9th after a long and brave battle with cancer. He has been at at the forefront of the new ambient/electronic music scene, with over eighteen releases to his credit. » Read more

2020-01-10
Neil Peart RIP – One of rock music's defining drummers has died at the age of 67. Neil Peart's work with Rush provided one of the templates for percussion in rock, and he certainly ranks in the top ten most influential drummers of the 20th Century. Peart retired from playing in 2015 due to health issues, and succumbed to brain cancer on January 7, 2020. » Read more


Previously in Exposé...

Dennis Rea - Views from Chicheng Precipice – Classical Chinese poetry, like Japanese haiku, even in English translation, can be very evocative, carefully choosing certain details to trigger the mind to fill in an entire scene. For the most part...  (2011) » Read more



Listen & discover



Print issues