Exposé Online banner

Bi Kyo Ran — Go-Un
(Belle Antique 95149, 1995, CD)

by Peter Thelen, 1996-03-01:

Go-Un Cover art

Known for years as the group that sounds more like King Crimson than King Crimson themselves, Bi Kyo Ran have reformed after many years away, in the process growing from a trio to an eight-piece of dual guitars, bass, keys, triple-percussion, and multi-voices, augmented by guests on woodwinds, brass, and chorus. Along the way they have nearly completely lost their early image as a perfect clone of 70s-Crimson. The new Bi Kyo Ran is a very adventurous unit, covering a lot of new territory, the added multi-percussion and second guitar have offered plenty of room to explore – and I expect that some looking for the band of yore will be profoundly disappointed. But progressive rock involves growth and change, and that's precisely what is offered here. Could one have expected the band to come back after twelve years (with five new members, no less) and serve up the same old dish? I think not. Not surprisingly, many of the tunes center around percussion and voice (five band members offer vocals, not counting guests), and the interplay of acoustic and electric guitars (as on the Spanish flavored "Psycho, Part II." On the other hand, the piano and synths are rarely heard. Some of the material is very quiet and subtle – and very Japanese, for example the closer "21st Century Africa," on which two kalimbas are joined by various other percussives in a lengthy intro that finally gives way to some irregularly timed rock with Fripp-oid guitar leads. This is a more subtle album, far away from their earlier in-your-face approach. It takes a few listens to grow into, but patience will reward. Welcome back!


by Mike McLatchey, 1996-03-01:

Bi Kyo Ran were the Japanese equivalent of mid period King Crimson from the obvious "Larks Tongues in Aspic" copy at the beginning of their self-titled debut to one of their recently released live compilations which is all King Crimson covers. Regardless of these obvious influences, Bi Kyo Ran were still great, both their debut and second album, Parallax, are fine albums, the latter amongst the best of all 80s Japanese progressives. How Bi Kyo Ran could live with such a strong comparison is beyond me, but now the band after over a ten year hiatus have reformed with a new album and an effort to put the Crimson references to rest... well almost. The opening track, "Ran Part II," here is the only one that brings back the Crimson spirit with very angular Frippian guitar work and a flashback to the early Bi Kyo Ran sound. The rest is a mixed bag and hard to describe. Bi Kyo Ran have definitely modernized their approach, the tones have more in common with the underground Japanese scene a la God Mountain label (most of the bands on Neu Konservatiw would be decent pointers) yet not in any way industrial. Certain things annoy me about the change, the discoid female vocals on "Journey's End" remind me of bad Talking Heads and practically ruin the song. Most of the music is good though and except for the intro is practically devoid of King Crimson references and seems much more indigenously Japanese. It should be interesting to see what happens as Bi Kyo Ran evolves their new style (they have a new live album already out since this title). Certainly not as good as their first two albums, but definitely more original.


Filed under: New releases , Issue 9 , 1995 releases

Related artist(s): Bi Kyo Ran / Madoromi

More info

Latest news

2020-07-06
Ennio Morricone RIP – Famed composer Ennio Morricone has died at the age of 91. The creator of scores for more than 500 movies, some of his works have become the most recognizable sounds in the history of cinema. His soundtracks for Sergio Leone's Westerns made from 1964 to 1971, are iconic landmarks in film music, but he also composed for dramas, comedies, and other genres. He won the Academy Award for Best Original Score in 2016 for The Hateful Eight. » Read more

2020-06-14
Keith Tippett RIP – One of the giants of British jazz has left us. Keith Graham Tippetts, known professionally as Keith Tippett, died today at the age of 72. His work from the late 60s into the 70s and beyond includes some of the greatest jazz produced in the UK, and stands as an impressive oevre to this day. » Read more

2020-05-15
Phil May of The Pretty Things RIP – We were saddened to learn that Phil May, lead singer and founding member of The Pretty Things, has died at the age of 75. The band's 1968 album S.F. Sorrow is one of the enduring classics of the psychedelic era, and the group existed in various forms until finally retiring in 2018. » Read more

2020-05-14
Jorge Santana RIP – Jorge Santana, noted guitarist, leader of the band Malo and brother to Carlos Santana, died on May 14 at the age of 68. Jorge and Carlos worked together on a number of occasions, though Jorge's career was centered around Malo, solo work, and with Fania All-Stars. » Read more

2020-05-06
Florian Schneider RIP – Florian Schneider, one of the founders of the pioneering electronic group Kraftwerk, has died at the age of 73. Co-founder Ralf Hütter announced that his bandmate had passed away from cancer after a brief illness. » Read more


Previously in Exposé...

Hualun - Silver Daydream – Maybe it's actually easy to make post-rock music. After all, there seem to be bands springing up all around the world playing it. Hua Lun are part of the new generation of Chinese bands following in...  (2010) » Read more

Cruz de Hierro - Crossroads – Some may recall this Mexican quintet from their performance at Baja Prog many years back; in fact they have come a long way toward finding their own sound since those earlier days. Their stock in...  (2008) » Read more

Groovector - Darklubing at Tavastia – From time to time I see a band criticized for not realizing what their own strengths are, for moving out of the area where they shine. I’m wary of that kind of reasoning, as it should be the...  (2005) » Read more

Gong Matrices - Gilli Smyth - Parade – For many of us who attended the IPMF in San Francisco in 1999, the long wait in the lobby while Porcupine Tree had ‘technical difficulties’ was rewarded with the unique spectacle of Gilli...  (2007) » Read more

Lars Hollmer - Andetag – Hollmer has been producing solo albums long enough to garner him attention beyond that of being Zamla's keyboardist and one of their main writers. His music still, after all these years, defies...  (1998) » Read more



Listen & discover



Print issues