Exposé Online banner

Cafeine — La Citadelle
(Référence B27 Tiret 6, 1994, CD)

by Peter Thelen, 1995-03-01:

La Citadelle Cover art

I'd first heard of these guys a few months ago via their contribution to the A Propos d'Ange compilation, their song being one of the highlights of that disc. La Citadelle is the band's debut album, and it certainly lives up to all the expectations — four lengthy multi-part compositions rounded out by two shorter instrumental tracks, Cafeine have managed to create a uniquely French symphonic sound rooted in the great traditions of Ange, Atoll, and Mona Lisa, while remaining modern and true to the 90s. A five piece with dedicated vocalist, the band's main mover appears to be keyboardist Christoph Houssin, who had a hand in penning all of the album's tunes. Additional musicians add oboe, flute, sitar, and uillean pipes. Steering clear of the neo-progressive typicalities that seem to be haunting many of the new bands of the day, Cafeine's music delivers the goods with strength and purpose, and without too much of the pompous gratuitous nonsense that bands attempt to pass off as complexity. Yes, there are plenty of twists, turns, and changes, but everything contributes to the greater vision of the whole piece. Sure, there are a few rough edges, what debut album is perfect — but Cafeine is clearly one of France's most promising new bands.


by Alain Lachapelle, 1995-03-01:

Cafeine is a new band from France offering a nuanced music based mainly on keyboards and guitar. Melodic, La Citadelle offers seven compositions, three of them being in the ten to fifteen minutes range. What makes this debut album a good one is the quality of the playing and the compostional integrity. There are vocals, sung in French, and when these are present, the band shifts in a more standard mode, offering a door through which people less familiar with progressive rock can explore. At times the vocals may remind a bit of the phrasing used by German singer Herbert Groenemeyer (on "April Theme" for instance). The numerous instrumental passages shows an expressive and subtle quality even veering into orchestral bits at times. To the core combo of keys, guitar, vox, bass, and drums are added along the way oboe, flute, sitar, tablas, charengo, and uillean pipes, adding color and texture. The first piece, the 11:25 minute "La Cour des miracles" ("The Court of Miracles") offers a mix of vocals sung over a more standard backdrop and long instrumental passages in which the guitar is prominent. The lyrical contents is of social nature, depicting a character living in an 'inner city' where kids have no future, where crime and prostitution is rampant. It starts off like a theatrical play, with a Renaissance-era theme played on the keyboards, then afterwards taken by the band, suggesting a past-to-present bridge underlining the ever-present human misery that any form of progress hasn't yet solved. But this is no dark or gloomy music. Rather, it's quite open and clear in its harmonies. Patrick Jobard's guitar work is mainly melodic, rendered with feeling. La Citadelle is a very nice group effort, a promising debut for this new, young French band.


Filed under: New releases , Issue 6 , 1994 releases

Related artist(s): Cafeine

More info

Latest news

2018-07-09
Soft Machine Set to Release New Music – It's been 50 years since The Soft Machine changed the face of music with their first album. Their blend of psychedelic rock and jazz was unique, and while the band went through many changes before disbanding in 1981 — by which time there were no original members remaining — they remained an innovative force with a style all their own. » Read more

2018-07-01
7d Surfaces Happy Rhodes Back Catalog – We've covered singer Happy Rhodes before, both for her solo work and recently with The Security Project, but her 11 albums have been hard to track down. Until now. 7d features high-quality downloads of all her releases, and several of them are also available on CD. » Read more

2018-06-25
Fred Chalenor RIP – We have news of another sad passing in the world of creative music. Bassist Fred Chalenor, whose creativity featured on albums by Tone Dogs, Caveman Shoestore, and many more, died on June 23, 2018 after a long battle with Alzheimer's. Tributes have poured in from the many musicians and fans whose lives he touched. » Read more

2018-06-13
Jon Hiseman RIP – One of the great drummers of the rock era has died. Jon Hiseman was a veteran of such ground-breaking groups as Colosseum (I and II), Tempest, John Mayal's Bleusbreakers, and was a founding member of the innovative large band United Jazz + Rock Ensemble. » Read more

2018-06-05
Koenjihyakkei Seeks Funding for New Album – It's been quite a few years since the last new studio album by the amazing Koenjihyakkei. Now they are preparing Dhormimviskha for worldwide release, and they're asking fans to pre-order via a Kickstarter campaign to help it happen. » Read more


Previously in Exposé...

Colour Haze - All – Colour Haze is a German band that is new to me, though they have been recording since 1995. You can pretty much trust any Elektrohasch release to be great, and All, Colour Haze’s seventh release, is...  (2009) » Read more

Celeste - Celeste (AKA Principe di un Giorno) – Celeste's first album, also known as Principe di un Giorno, is an absolute gem, an overlooked classic that deserves a place among the best Italian releases of the classic period. Originally...  (1995) » Read more

Dino Saluzzi Group - Juan Condori – Bandoneon playing within a jazz structure is not a new idea, as it dates back to the 50s with many French and international acts, exemplified by Django Reinhardt’s hot bands. Argentinian native...  (2007) » Read more

Seate - Kedarui Gogono – This hitherto unknown five-piece from Japan features violinist Junko Minobe, ex- of Cinderella Search, and is fronted by vocalist Yoko Tuchiya. The remainder of the band features piano, bass and...  (1997) » Read more

Jeff Greinke - Lost Terrain – This is one of Jeff Greinke’s best releases to date and definitely worth the words “an ambient music classic.” Greinke’s inspiration comes from both Brian Eno and Jon Hassell,...  (1999) » Read more



Listen & discover



Print issues