Exposé Online banner

Cast — Endless Signs
(Bandcamp no#, 1995, CD / DL)

by Mike Ohman, 1996-03-01:

Endless Signs Cover art

The perpetually industrious Cast have done it again, with yet another release, Endless Signs. One of the big surprises of Progfest '95, Cast delighted with their strikingly commendable brand of neo-prog. Endless Signs seems to be their breakthrough. Cast's appeal seems to be simple in that they make melodic, obviously Genesis-inspired prog like many other neo-prog bands you'd care to mention, yet they do it very well. Guitarist Francisco Hernandez certainly has his Hackett chops down, while singer Dino Brassea sounds something like IQ's Peter Nicholls (he even sings in English). In fact, prime-era IQ is an estimable comparison, if you can imagine The Wake with all-digital keys, you're halfway there. Speaking of the keyboards, board-man Luis Vidales is certainly one of the most talented players in neo-prog today. His Banks-ian piano phrasings are the unifying element of this album, his digital synth voicings constantly creative. If you have been lamenting the state of the British neo-prog scene, and have been disappointed that they haven't been producing bands of the caliber of IQ anymore, perhaps you have been looking to the wrong place. Cast have really come into their own with this release. Even if you usually find yourself cold towards neo-prog, I have a feeling you may find yourself warming up to this.


by Peter Thelen, 1996-03-01:

Cast has dropped five CDs in just over two years, yet much of that material was recorded in the 80s and early 90s, and not released until now. Endless Signs, however, is their latest release featuring all new material, and shows the band coming into their own, finding the best elements of their sound and refining it into an identifiable style. A quintet that hails from Mexicali, just across the border from California, their sound recalls the best elements of mid-period Genesis (circa A Trick of the Tail, Wind and Wuthering, primarily due to the keys and compositional style), a little of the neo-prog style (accessibility and vocals) as well as trace elements of seventies Italian and Spanish prog (the biting, ever busy fuzz guitar). Endless Signs is a concept album about man's search for spiritual truth, and as such, many of the tunes are tied together by themes that recur throughout the album. The lyrics are in English, and filtered through Dino Brassea's expressive and semi-tortured vocals. Keys are lush and powerful, and provide much of the texture and melodics throughout the eight tracks. Like 70s Genesis, the rhythm section is a powerhouse, yet they know when to show restraint, building up tension while the keys and guitars take the fore. The brightest moments, though, are when the entire band breaks out in a speedy, cohesive frenzy — it's this, more than anything else, that sets Cast apart from all the average neo-proggers, and identifies them more closely with their countrymen Iconoclasta, Delerium, and Praxis. There has also been a very noticeable improvement in sound clarity over the last two albums, this being their best-engineered to date. More than anything, Endless Signs signals the arrival of Cast.


by Mike Grimes, 1996-03-01:

Cast has carved a niche for themselves in the neo-prog scene for good reasons. Their sound is very melodic and flowing. As with almost all bands lumped into the "neo-prog" classification, these guys certainly have their share of the ever-heard Genesis (R.I.P.) influence. If anything though, Cast sounds more like they should be compared to a Tony Banks solo album than any Genesis outing. That's probably because Cast's keyboard player Alfonso Vidales pens all the group's music. As you would probably expect knowing that, the keyboards are the dominant instrument of the group. However, he's not the only good thing. Drummer Antonio Bringas pounds out some hot fills — especially the ones with double bass drums. The fuzz guitar soloing of Francisco Hernandez fits rightly over the top of the other instruments. It would be nice if he used more sounds though. Basically, only one guitar tone is used on solos for the entire album. This is in stark contrast to the many, many keyboard textures utilized in each tune. The musical themes repeat enough to be recognizable, but not so often that they become stale. They reappear in different time signatures and keys — subtle changes to keep the listener alert. If you like some of the more popular neo bands and want to hear a slightly different version of that style of music, Cast just might be for you.


Filed under: New releases , Issue 9 , 1995 releases

Related artist(s): Dino Brassea, Cast, Alfonso Vidales

More info

Latest news

2021-01-18
Asia Minor Third Album on the Way – On January 29, AMS records will be releasing the long-awaited third album by classic Turkish-French band Asia Minor. Released last year in Japan, this will be the widespread debut of Points of Libration. The album features original members Setrak Bakirel (vocals, guitar) and Eril Tekeli (flute, guitar). » Read more

2020-12-09
Harold Budd RIP – Harold Budd, one of pre-eminent American composers of avant-garde and minimalism, has died of complications from the coronavirus. Budd came to prominence in the 70s, championed by Brian Eno on his Obscure Records label, with music that blended academic minimalism with electric jazz and electronic music. Much of Budd's best known work was done in collaboration with other artists, including Eno, Daniel Lanois, Robin Guthrie, Andy Partridge, John Foxx, Jah Wobble, and many others. » Read more

2020-11-20
25 Views of Worthing Finally Gets Released – A while ago, we wrote about the discovery of a "long lost" Canterbury-style gem by a band called 25 Views of Worthing. And now we're pleased to find out that Wind Waker Records has released their music on an LP. » Read more

2020-10-14
Audion Is Back in Business – Our esteemed colleague Alan Freeman has restarted Audion Magazine after a seven year hiatus. The new incarnation is available online on their Bandcamp site. Audion's history goes back to 1984, and included 58 issues up to 2013. Issue #59 is available now, and #60 is in the works. » Read more

2020-10-06
Romantic Warriors IV – Krautrock (Part 2) Is in the Works – Zeitgeist Media, the people who have brought us the great series of documentary films chronicling the history of progressive rock, are working on the second installment of their examination of German music. Krautrock 2 will focus on artists from Münich such as Guru Guru, Amon Düül II, Xhol Caravan, Kraan, Witthüser & Westrupp, and Popol Vuh. » Read more


Previously in Exposé...

Jeff Greinke - Big Weather – I'm very picky when it comes to electronic music. If I like an artist in this vein (like Lightwave, Klaus Schulze, Steve Roach, or Robert Rich) I tend to really get into it. Greinke is an artist that...  (1994) » Read more

Round House - Jin.Zo-Ni.N.Gen & Wings to Rest – The Japanese five-piece Round House apparently never recorded a proper album during their existence in the late 70s, though two releases were cobbled together out of live tracks, demos, and some...  (2003) » Read more

Jackhammer Trio - Sonarchy and Synergy – Seattle’s answer to the NY Downtown jazz scene is part fusion and jamming entourage, but also a tight trio too. Rik Wright is the guitarist in these ten work-outs, and his style reminds me of...  (2003) » Read more

SimakDialog - Patahan – For their first international release, SimakDialog offers a live set recorded in Jakarta in April 2005. At this juncture, bandleader and keyboardist Riza Arshad is joined by a rhythm section of...  (2008) » Read more

Steve Hackett - Out of the Tunnel's Mouth (Deluxe Edition) – Back in the day I was a huge Genesis and Steve Hackett fan, but I lost interest in Steve with his 1980 release Defector. Fast forward 30 years and it looks like either I have been missing out on some...  (2011) » Read more



Listen & discover



Print issues