Exposé Online banner

Christian Vander — A Tous les Enfants...
(Seventh Records A XIV, 1994, CD)

by Rob Walker, 1995-11-01:

A Tous les Enfants... Cover art

Packaged in a 40 page hardbound CD size book, A Tous les Enfants... is essentially a Christian Vander children's album. Playing keyboards and contributing vocals, Vander is joined by several other vocalists, including his wife and daughter, as well as a children's choir. The music is obviously very vocal oriented, and consists of short pieces interspersed with snippets of children's rhymes and some spoken interludes (in French) which are presumably some form of storytelling. The songs are a pleasant mix of cheerful hymn-like tunes and somewhat mysterious art songs, which at times are reminiscent of Magma's Le Voix performances. The voices are joined only by a simple piano accompaniment, and occasionally some other keyboard sounds. Though the music is somewhat simplistic, it is well composed and performed. Vander's solo vocals alternate with the shimmering female choir to create some very effective contrasts, and a few prominent melodic themes run throughout the album, tying all the pieces together. For the final track, Vander adds a pair of keyboardists and a contrabass, and dramatically departs from the gentle, restrained atmosphere of the rest of the album. "Dodo l'Enfant Do" collects all of the albums various musical themes and combines them into an intense eight and a half minute crescendo featuring all the ethereal, other-worldly mysteriousness of classic Magma. A Tous les Enfants... may not be the sort of album one would expect from Christian Vander, but it certainly maintains his musical signature as a composer, and thus makes for an interesting listen.


by Peter Thelen, 1995-11-01:

A children's album from Magma founder and leader Christian Vander? Precisely. I was more than a little skeptical when I first heard about this, and was even more hesitant to buy it when I heard the price of this elaborately packaged disc that comes complete with a miniature CD sized 40-page hardbound libretto of lyrics and illustrations. Nonetheless, if for no other reason than being a completist, I went ahead and made my purchase. It didn't take more than a couple songs to put my doubts to rest: This may be Vander's best album of the 90s. What we have here is a number of rearranged traditional children’s songs, plus a wealth of original material, 20 tracks in all, yet some are only a fraction of a minute in duration. The instrumentation is basic: one or two pianos with synthesizer coloring on most tracks, and four vocalists, including Christian and Stella, daughter Julie Vander, and Isabelle Feuillebois. Most of the lead vocals are Christian, who also adds some narrative on some of the tracks; his rich tenor voice on "Chanson des Oeufs" and "Hymne aux Enfants - Zoland" is moving; those two are worth the price of admission by themselves. For several brief interludes, a chorus of seven young children is employed (something to remind the listener that this is a children's album after all). The instrumentation and choral approach may often remind of Les Voix, the quieter parts of "Köhntarkösz," "Lïhns" from the live album, or some of the more relaxed parts of Wurdah Ïtah. In fact many of the tunes here evoke that same type of dark cosmic imagery. Four tracks in particular: "Ronde de Nuit," "Le Ballet des Sorcieres," "A la Claire Fontaine," and the absolutely stunning "Dodo l'Enfant Do" sound more like quieter tracks from a lost 1974 Magma album, seeming a mite dark for earthly children (but maybe not Kobaïan children...). And unlike recent Offering and Christian Vander Trio albums, there's not a shred of jazz to be found anywhere. In short, this one captures that spiritual vibe that made the classic period stuff so special. Highly recommended.


by Dan Casey, 1995-11-01:

Vander's most recent release, and perhaps the most surprising. This is music dedicated to children, and written with the child in mind. The whole package is basically a children's book, well-made for collectors (hard bound, illustrated, etc). Musically, Vander's writing is a balance between light and dark, major and minor. The first song, "Hymne aux Enfants - Zoland" is one of the most beautiful, elegant, and simple melodies of recent years. In many ways this recalls the early works of Mozart or Brahms, where such deliberate simplicity is carried out by brilliant note selection. Vander sings, in French, "My name is Christian... I am your best friend." All the tracks are beautifully sung, with occasional children's choirs too. Perhaps most impressive, though, is Vander's mellowing voice and the ethereal Isabelle Feullebois and Stella Vander. Julie Vander also appears on this one. The backing music is almost all keyboard/synth/piano based, with a few guests on the last track. Magma fans may find that the middle passages of "Köhntarkösz", or perhaps "Lïhns" from the Live album are similar in sound and spirit to much of A Tous les Enfants. Also of particular interest is the last track, "Dodo l'Enfant Do," a surprisingly dark and sinister ending. Massive soundscapes sweep through the rhythmic pulsing that is the heartbeat of this music, which has been hailed as one of the best tracks Magma never recorded. All in all, this album is living proof of how simplicity can work better than complexity, in the hands of a craftsman as visionary and blessed as Christian Vander. Probably the best thing he's done since Magma, and a clear indicator that well has not run dry.


Filed under: New releases , Issue 8 , 1994 releases

Related artist(s): Stella Vander, Christian Vander / Offering, Lydia Domancich

More info

Latest news

2019-08-20
Alex's Hand Seeks Spa Treatment – American / European band Alex's Hand has a new album in the works called Hungarian Spa, which looks to be their biggest and best yet, featuring a large roster of guest musicians. They're seeking funding to take the project on the road, and are looking for help from the crowd of wisdom. » Read more

2019-06-05
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more

2019-04-24
Help MoonJune Bring Great Music to Life – Like many music lovers around the world, we’ve been thrilled and amazed to hear the recordings that have been released by MoonJune from sessions at La Casa Murada in Spain. Such label stalwarts as Mark Wingfield, Markus Reuter, Asaf Sirkis, Tony Levin, Dusan Jevtovic, Vasil Hadzimanov, and many more have gathered in various combinations at the studio to produce some of the most creative music in recent years. Now, label head Leonardo Pavkovic is offering a compilation, La Casa Murada - MoonJune Sessions, Volume One, as a fundraiser for upcoming sessions. » Read more

2019-04-10
The Pineapple Thief to Tour North America – November and December of 2019 will see The Pineapple Thief bringing their music to Canada, Mexico, and the US, and famed drummer Gavin Harrison will be on board. The band has been touring extensively in Europe, but North America will be new territory for them. » Read more

2019-03-25
Scott Walker RIP – Noel Scott Engel, better known as Scott Walker, was one of the most intriguing and enigmatic musical figures in the second half of the 20th Century. His strange career started with The Walker Brothers, an American pop group that featured no one named Walker and no brothers. After moving to England in 1965, they had a series of hit singles. Scott's solo work started with Scott in 1967. Starting in the 80s, his work took an increasingly avant-garde turn. » Read more


Previously in Exposé...

Deborah Martin / Erik Wøllo - Between Worlds – The worlds in this case are the spirit world and the physical world, the bridge between them according to Native American beliefs are the ritual, the healing and the magic, and on the music presented...  (2010) » Read more

Tatsuya Yoshida with Igor Krutogolov & Assif Tsahar - Live in the Head – Long time Ruins drummer Tatsuya Yoshida is the master of the instantly inventive. Across multiple real-time collaborations with a who’s-who of the improv scene, his flair for spontaneous hot flashes...  (2009) » Read more

Mastermind - Broken – The cover says this is a CD single / EP, but the total playing time is 44 minutes – hell, that’s longer than the full length In-a-gadda-da-vida LP, so what gives? As it turns out, the...  (2006) » Read more

Barrock - Oxian – Like their name seems to imply, Barrock's music combines elements of Baroque and rock. The rock, in this case, is a modern Italian symphonic progressive sound with a clear allegiance to the...  (1995) » Read more

Runaway Totem - Le Roi du Monde – After close to twenty years on the scene, this Italian band continues to evolve and surprise, providing something new and unique with each new release. Le Roi du Monde (King of the World) is their...  (2011) » Read more



Listen & discover



Print issues