Exposé Online banner

Electric Mud — The Deconstruction of Light
(Bandcamp no#, 2018, CD / DL)

by Peter Thelen, 2018-12-11:

The Deconstruction of Light Cover art

The first four nodes of heavy distorted bass that pump out of your speaker to introduce the first track, “Deadend Mind,” let you know immediately that Electric Mud means business, and in a big way. The trio of Hagen Bretscneider (bass, idea, sound concept), Jennart Huper (rhythm guitar), and Nico Walser (who plays all other instruments and sound alchemy, which apparently includes drums, keys, and lead guitar) at first seems like an odd division of duties on paper, but in practice it works wonderfully as that opening track which features drums, synths, piano, electronic percussion, and huge widescreen panoramic atmospheres attests as it approaches its 12 minute conclusion. Likewise, “Canary in a Cathouse” juxtaposes a beautiful soft piano intro with shredding guitar riffing, until bass, organ, and drums join in and make an intense statement, switching between soft passages and heavy guitar-driven mania over its eleven minutes. This is old school instrumental rock of the highest order: I am sometimes reminded of Eloy at their finest (circa Floating) or soundtrack-era Pink Floyd, but there is a very atmospheric component to it all that might remind listeners of TD’s Phaedra or thereabouts. The big riff is a major part of every song, incisive, heavy, and very German, but there is still plenty of space for the dreamy stuff, all in abundance. There is a brilliant jazz guitar break on “Suburban Wasteland Blues” that immediately catches your attention, then falls back on the heavy guitar driven riff. Throughout the trio utilizes samples (voices, instruments, and more, as needed) to enhance the ideas they are already driving. “Heads in Beds” starts with a beautiful atmospheric element with tasty lead guitar, not unlike Pink Floyd’s “Echoes,” then slowly morphs into an atmosperic jazzy section, then a couple minutes later jumps into a sequenced synth romp that slowly introduces the bass, drums, and guitars all over again. Throughout the piece at certain points one hears the sampled child’s voice calling out “Daddy, are you sleeping?” The entire album, but this track especially, packs an amazing amount of brilliant ideas that call on all of classic progressive rock’s best instincts.


by Henry Schneider, 2019-03-28:

Electric Mud is Hagen Bertschneider (ideas, sound concepts, and bass) and Lennart Hüper (rhythm guitar). An what really struck me about their new album The Deconstruction of Light is the amount of changes they pack into three or four minutes. They do not seem content to leave anything alone for more than 20 seconds. The constant shifts in mood, tempo, complexity, etc. work extremely well, but these instrumentals can be overpowering. For example over the course of the first four minutes of the opening track, “Deadend Mind,” they expose us to heavy bass, swooping electronics, followed by metal prog, orchestral hits, then a mellow piano solo, followed by a Jan Hammer-esque Miami Vice section, and then a quiet interlude. And ”Deadend Mind” continues on for another eight minutes! Besides prog rock, there are elements of hard blues rock morphing into cool lounge jazz “Suburban Wasteland Blues,” a David Gilmour style guitar on “Heads in Bed,” and Berlin school electronics on “Deadend Mind” and “Through the Glass.” These guys seem to have an inexhaustible amount of ideas. If you like your prog rock complex and constantly changing, then The Deconstruction of Light might be for you.


Filed under: New releases , 2018 releases

Related artist(s): Electric Mud

More info
http://electricmud.bandcamp.com/album/the-deconstruction-of-light

Latest news

2019-11-07
Glenn Smith RIP – Glenn Smith, founder, mandolinist, and primary composer of the DeLand, Florida based prog / fusion band Magnatar, passed away on October 18th 2019 at the age of 68, after a brief illness.  » Read more

2019-11-04
Dino Brassea RIP – Word reaches us of the passing of Dino Brassea, who sang and played flute in Cast for many years. By our count, Brassea appeared on 11 Cast albums between 1994 and 2002. He also released music as a solo artist. » Read more

2019-10-06
Ginger Baker RIP – Legendary English drummer Ginger Baker has died at the age of 80. After coming to fame with Cream in the 60s alongside Eric Clapton and Jack Bruce, he became one of the most recognized and influential drummers of the rock era. On September 25, his family announced that he was critically ill, and on October 6 his death was confirmed. » Read more

2019-08-20
Alex's Hand Seeks Spa Treatment – American / European band Alex's Hand has a new album in the works called Hungarian Spa, which looks to be their biggest and best yet, featuring a large roster of guest musicians. They're seeking funding to take the project on the road, and are looking for help from the crowd of wisdom. » Read more

2019-06-05
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more


Previously in Exposé...

Born Again Floozies - 7 Deadly Sinners – After last year's five-song debut EP Novelties, Addenda & Ephemera, the release of this Indianapolis band's first full length CD was a highly anticipated event here at Exposé central. Sporting a...  (2008) » Read more

Christopher Franke - Klemania – Apparently a special recording to celebrate KLEM day, an electronic music festival in the Netherlands, Franke's Klemania album is both a pleasant surprise and a disappointment. I hate to judge...  (1994) » Read more

Robert Rich & Lisa Moskow - Yearning – Rich's various sonic collaborations have taken another detour into new territory on this, his first album length collaboration with sarod player Lisa Moskow. From the huge soundscapes on his early...  (1995) » Read more

Snakefinger - Chewing Hides the Sound & Greener Postures – Here we have the welcome reissue of two great albums by Residents’ cohort and collaborator guitarist Snakefinger (AKA Philip Charles Lithman). Many of the songs on these albums were cowritten...  (1999) » Read more

John Wetton & Richard Palmer-James - Monkey Business 1972-1997 – When was the first time you heard “Exiles” or “The Great Deceiver” and were taken aback about the lyrics? It’s a pretty strange role to find yourself by trying to fill...  (2000) » Read more



Listen & discover



Print issues