Exposé Online banner

Finisterre — Finisterre
(Mellow MMP 254, 1995, CD)

by Peter Thelen, 1995-11-01:

Finisterre Cover art

How good it is to hear a new Italian band with such a solid footing in the 70s. Sure they tinker around with some neo-progressivisms (and they do that quite well also), but it's clear that this young five-piece from Genova have cut their teeth on the classics. They give many of the 70s bands a good run for their effort, yet Finisterre have to be commended for capturing the spirit without copping the riffs. They have done their homework well. All five members play something – there is no dedicated vocalist / frontman here to get in the way of the music. In fact only three of the album's eight tracks feature vocals, capably provided by the various band members, lyrics in Italian, of course. The instrumentation is guitar, keys, bass, and drums, augmented by flute, with guests providing additional flute, recorder, alto and tenor saxes, violin, and viola – plus full chorus on one track. There is so much going on here musically that it's difficult to itemize, and furthermore each track is significantly different from the others – yet it can be said that the sound is a band effort, and while there are solos aplenty, no one instrument seems to dominate the mix. They bounce between driving high energy rock excursions and more serene folk and classical elements with surprising ease. Influences are evident, but well assimilated within their own vision. Suffice to say that fans of Camel, PFM, Osanna, Tull, as well as newer bands should find much here to enjoy. Evidence again that symphonic rock in the classic style is alive and well. Finisterre is one of the best new surprises of the year.


by Mike McLatchey, 1995-11-01:

Finisterre is another debut from the country with more bands than fans. While many of Italy's newer outfits fall squarely in mediocrity, Finisterre looks like one of the brighter spots. The band is essentially a quintet with several guests and perform an atmospheric symphonic rock with influences from both the 70s Italian scene and the British neo-psych outfits like Ozric Tentacles or Omnia Opera. Finisterre have created an elaborate and elegant music and aren't afraid to be inventive or complex. There are some brilliant moments with great guitar and keys, yet the entirety isn't all that gripping as Finisterre spend more time in low key than where they really shine which is in the upbeat vein. The spacey synths that provide the atmospheres and ambiance are quite prevalent throughout the album yet prove to be a bit overdone through the length of the album. Debuts tend to get the rough edges out in a band and hopefully their second will prove this group's tremendous potential, as this is a nice album.


by Alain Lachapelle, 1995-11-01:

The name Finisterre comes from the Latin finis terrae, the limits of the Earth. Romans used to believe that the Earth ended near Hercules' columns which we call now the Gibraltar passage. Finisterre is the name of this region located in Spain. Finisterre is also the title of a collection of poems by Italian poet Eugenio Montale who was born in Genoa, the city where the band lives. This reference to a poet is an apt one, as Finisterre's music is an arabesque of lightly-colored nuances, with eloquent orchestrations. To the traditional grouping of acoustic guitar, keyboard, drums and bass we also find a flute player who also doubles on electric guitar and backing vocals. Add to this initial setup guests on recorder, soprano and tenor saxophones, viola, violin, and a five-person choir and you get the ingredients needed for a broad variety of styles. From the rather new-agey intro to Gregorian-like vocals to hard rock bits where Mozart and Gershwin suddenly are making appearances, to the tragico-romantic vocal parts on "Macinaaqua, macinaluna," the broad feeling of the music is one of playfulness that doesn't sacrifice the underlying seriousness of the compositions. Finisterre aren't doing the heaviest prog around. Rather, a gentle approach is used where often the flute moves from back to foreground, supported aptly by a good rhythmic section and at times poignant melodic lines. A large part of the album is instrumental and this shines on the 15-minute "Sun," a smooth-going melodic piece, perhaps echoing a bit of Genesis in the Selling England by the Pound period by the voluptuous guitar leads. All in all it makes for a very interesting debut album. The band has already started composing the material for the next album and they'll enter the studios in November for a possible disc release in January or February. The Earth doesn't stop at Gibraltar and Finisterre makes for a sweet celebration of a newfound territory where romanticism neighbors an ambivalence of dynamic and subtle moments.


Filed under: New releases , Issue 8 , 1995 releases

Related artist(s): Finisterre, Fabio Zuffanti / ZBand

More info
http://mellowrecords.bandcamp.com/album/finisterre-finisterre

Latest news

2019-10-06
Ginger Baker RIP – Legendary English drummer Ginger Baker has died at the age of 80. After coming to fame with Cream in the 60s alongside Eric Clapton and Jack Bruce, he became one of the most recognized and influential drummers of the rock era. On September 25, his family announced that he was critically ill, and on October 6 his death was confirmed. » Read more

2019-08-20
Alex's Hand Seeks Spa Treatment – American / European band Alex's Hand has a new album in the works called Hungarian Spa, which looks to be their biggest and best yet, featuring a large roster of guest musicians. They're seeking funding to take the project on the road, and are looking for help from the crowd of wisdom. » Read more

2019-06-05
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more

2019-04-24
Help MoonJune Bring Great Music to Life – Like many music lovers around the world, we’ve been thrilled and amazed to hear the recordings that have been released by MoonJune from sessions at La Casa Murada in Spain. Such label stalwarts as Mark Wingfield, Markus Reuter, Asaf Sirkis, Tony Levin, Dusan Jevtovic, Vasil Hadzimanov, and many more have gathered in various combinations at the studio to produce some of the most creative music in recent years. Now, label head Leonardo Pavkovic is offering a compilation, La Casa Murada - MoonJune Sessions, Volume One, as a fundraiser for upcoming sessions. » Read more

2019-04-10
The Pineapple Thief to Tour North America – November and December of 2019 will see The Pineapple Thief bringing their music to Canada, Mexico, and the US, and famed drummer Gavin Harrison will be on board. The band has been touring extensively in Europe, but North America will be new territory for them. » Read more


Previously in Exposé...

Chardeau - Hors Portée Highlight/Instrumental – Jean-Jacques Chardeau is a new name to me. He is a French vocalist and keyboardist who assembled an impressive line up of musicians on these two CDs that were recorded together: violinist Jerry...  (2006) » Read more

Roine Stolt - The Flower King – Its been a while since we've heard from former Kaipa guitarist Roine Stolt. This album received a lot of hype recently, and claiming to be a symphonic rock album from a member of Kaipa, I...  (1995) » Read more

D.F.A. - 4th – It may have been close to ten years since DFA’s last studio album, but this band has certainly not lost their edge; in fact, if anything the intensity and passion in this new set makes up for...  (2008) » Read more

Steve Jansen and Richard Barbieri - Other Worlds in a Small Room – Other Worlds in a Small Room is the only second duo project by half of Japan (later Rain Tree Crow) and also a few side projects with Mick Karn (Seed). In addition, Barbieri is also a sometime member...  (1997) » Read more

Alquimia - Coatlicue, Goddess of the Earth & Wings of Perception – An independent artist, composer, synthesist, percussionist, and vocalist, Alquimia is known mostly in new-age and fourth-world music circles, though her work truly transcends any form of...  (1997) » Read more



Listen & discover



Print issues