Due to technical difficulties, we are temporarily using a scaled-down version of our website. Please pardon the sound of jackhammers.
Landberk — One Man Tell's Another
(Megarock MRRCD 007, 1994, CD)
by Mike Borella, Published 1994-08-01My first reaction to hearing this, the latest release from yet another of Sweden's newer bands, was, "What?" The opening chords sound all too similar to half a dozen or so U2 songs. However, this moment is soon over, and while Landberk has taken a slightly different approach here than on their debut, they haven't sold out or commercialized. Landberk has never been a band to impress one with complexity, rather they take a more atmospheric approach. The use of analog instruments and soft, yet ominous, interludes, reminds me of the slower moments of early Black Sabbath, with a touch of Crimson thrown in. While the guitarist has a style that mixes heavy riffing and discordant melodies, the rest of the band does little more than follow along. Throughout most of the album the drummer plods along, though he does lay down some interesting beats on a few of the tracks. The bass and keyboards add to the atmosphere, but contribute little else. Vocals are entirely in English this time, and the vocalist's style is very hit or miss. While some may like his strained singing, I find it rather distracting. Landberk's emphasis seems to be on vocally-oriented music, with predictable rhythms and structures. This isn't a bad release, though I find that little of it moves me. Outside of the guitarist's interesting textures and the brooding intensity, this album leaves me wanting. Recommended to those who enjoyed Landberk's debut.
These are the most recent changes made to artists, releases, and articles.