Miriodor — Jongleries Élastiques
(Cuneiform Rune 78, 1996, CD)
by Peter Thelen, 1996-03-01:For their fourth album (fifth if you count the cassette that came out between the first and second), Miriodor has again pulled out a long list of surprises. Their sound is rooted in the chamber rock one might associate with bands like Univers Zero and Henry Cow (circa Western Culture), with touches of folk and other elements. In fact this is a hard band to pin down because each of their releases have been so different, and this latest is no exception. There are wild mood swings and time changes, odd angularities and dissonant incongruities that together make for some great listening. With the exception of "34+9(43)," which contains some unusual vocalizing, the album is entirely instrumental. The big news is the addition of guitar courtesy new member Bernard Falaise, which would have made Miriodor a four piece were it not for the more recent departure of reeds player Sabin Hudon, who stuck around just long enough to finish most of the album. The guitar certainly isn't understated — it rocks, and its presence gives the band's sound a whole new character, and in the process has moved the saxes and synths into a more natural and complimentary role. Definitely music that can be explored on many levels, each successive listen revealing something new and more interesting. Fans of seventies Crimson, UK, Zappa, Gentle Giant, and Van Der Graaf should find plenty of interest here.
by Dan Casey, 1996-03-01:Anyone who's at all familiar with Miriodor will be immediately struck by the changes in this French-Canadian band. Where's all the synth, where's all the soprano sax melodies? The addition of Bernard Falaise (electric and acoustic guitars, basses, mandolin, synth) has had numerous positive effects on the original trio. The synth and sax are still there, but with so much burden removed they are used more sparingly and consequently much more effectively. Guitar chords, solos, and powerful effects fill up the sound nicely, as do the augmenting horn and string parts. The circus theme works surprisingly well, without limiting the emotional content as might be expected. Moods swing from upbeat and catchy ("Three Clowns") to somber and explosive ("The Little Ship's Terrible Wreck"). Miriodor have mastered the art of conveying images with their music, and each song fits its title like a glove. The quirky slide guitar and stretched-out bass on "The Caterpillar Tamer" couldn't be more appropriate. Above everything else, this is the most balanced, most intense, and most important album in this band's career. "Elastic Juggling" single-handedly demotes all prior efforts to "baby step" status, and will surely be one of the best releases come year's end. An addicting masterpiece, not to be missed. And when it's over, you'll find yourself cueing up "Igor, the Motorbike Bear" just one more time...
by Mike Grimes, 1996-03-01:It has often been said that in music, the rests are just as important as the notes. Well, apparently this message never got through to Miriodor. Once they get rolling, they don't stop until the end. The pace varies from wicked fast to mellow and tame, but it is always driving along. Jongleries Elastiques is an hour packed full of several notes, no vocals (with lyrics anyway), complex polyrhythms, and odd harmonies galore. Their musical style covers the entire electromagnetic spectrum — from Mr. Rogers on steroids to Gentle Giant "everyone play a different song at the same time" to Tipographica-esque polymodal ostinatos without all the stops and starts. There's not a single track in a major key, and not many in natural minors either. The album is the Ferdinand Magellan of modal exploration — maybe that's why there's accordion and a progressive surf music track in the middle. How about whole tone scales? They play more whole steps before breakfast than most people do all day! Most of the progressive rock requirements are here — at least one non-standard instrument, weird time signatures, intense instrumental probing. Fans of R.I.O. and experimental progressive will have a field day with Miriodor.
Related artist(s): Miriodor
Legendary Co-Founder of The 13th Floor Elevators Passes Away at Age 71 – Sadly, Roky Erickson passed away on May 31, 2019. Known as the father of psychedelic music and co-founder of the ground breaking 13th Floor Elevators, Roky had a profound influence on music from the 60s to today. Plagued by his own personal demons, Roky had a difficult life and is now free of these burdens. » Read more
Help MoonJune Bring Great Music to Life – Like many music lovers around the world, we’ve been thrilled and amazed to hear the recordings that have been released by MoonJune from sessions at La Casa Murada in Spain. Such label stalwarts as Mark Wingfield, Markus Reuter, Asaf Sirkis, Tony Levin, Dusan Jevtovic, Vasil Hadzimanov, and many more have gathered in various combinations at the studio to produce some of the most creative music in recent years. Now, label head Leonardo Pavkovic is offering a compilation, La Casa Murada - MoonJune Sessions, Volume One, as a fundraiser for upcoming sessions. » Read more
The Pineapple Thief to Tour North America – November and December of 2019 will see The Pineapple Thief bringing their music to Canada, Mexico, and the US, and famed drummer Gavin Harrison will be on board. The band has been touring extensively in Europe, but North America will be new territory for them. » Read more
Scott Walker RIP – Noel Scott Engel, better known as Scott Walker, was one of the most intriguing and enigmatic musical figures in the second half of the 20th Century. His strange career started with The Walker Brothers, an American pop group that featured no one named Walker and no brothers. After moving to England in 1965, they had a series of hit singles. Scott's solo work started with Scott in 1967. Starting in the 80s, his work took an increasingly avant-garde turn. » Read more
Freedom to Spend Unearths June Chikuma's Archives – Jun (June) Chikuma is well known for her video game and anime soundtracks, but she also released an album of experimental electronic music back in 1986 called Divertimento where she indulged the kind of spontaneity that wouldn't work in a soundtrack. RVNG Int'l label Freedom to Spend is bringing this overlooked item to broader attention with a deluxe reissue. » Read more