Exposé Online banner

Ni-Hao! — No Respect
(Tenzenmen 182tzm, 2016, DL)

by Jon Davis, Published 2016-04-27

No Respect Cover art

I often find recordings of the “lo-fi” esthetic very frustrating. Bad quality sound in a live situation is something that often can’t be avoided, and is mitigated by the positives of having the performers right there making the music. But when you take the time to record for later listening, distortion and poor equalization can be very tiring and distract from the content and quality of the music. In the case of vintage live recordings, I’m willing to make some allowances if the performance is of historical significance. This recording by the now-international group Ni-Hao! is quite a mixed bag in a lot of ways, not least the fidelity of the recording. Some tracks have an overdriven distortion that could have been recorded on a smartphone in a dive bar, and one track is explicitly called out as a live recording. Others have cleaner sound, akin to good quality modern demos. But the band’s style, which they call “cheer punk,” might be described in outside-world terms as “art-punk,” and lends itself to quick-and-dirty recording. They’re all about spontaneous fun, and precision playing is not at all required. That being said, there are some very inventive sounds on No Respect, with thrashing guitars and shouted vocals one moment and rinky-dink drum machine with piano bass the next. Or wildly oscillating synthesizer, or chopped up sampled spoken words. The inconsistency becomes the theme, and the album becomes a sonic collage, a cut-and-paste vision of the weird musical world these women inhabit.


Filed under: New releases, 2016 releases

Related artist(s): Ni-Hao!

Latest news

2019-01-11
Jazz Composer Mark Lomax, II Releases Epic 12CD Set – In addition to being a fine jazz drummer, Dr. Mark Lomax, II is a composer in residence at Ohio State University, where he has been very busy on the compositional front. The year 2019 is the 400th anniversary of the arrival of the first ship bringing African slaves to North America, and in commemoration of this, Lomax has produced 400: An Afrikan Epic, a 12 volume set of CDs featuring a variety of different musical ensembles. » Read more

2019-01-02
Chicago-Based Surabhi Ensemble Tours the World in January – Surabhi Ensemble was formed more than a decade ago in Chicago with the aim of bringing together musicians from varying traditions to make music. Saraswathi Ranganathan, who plays veena, assembled a cast that includes Arabic oud, Spanish guitar, and percussion from Africa and India. This month, the group will be sharing their sounds with concert-goers in Southeast Asia, Europe, and Africa. » Read more

2018-12-23
Seaprog Festival Seeks Donations – Seaprog is a small festival in Seattle that highlights creative music from many genres with artists from around the world. It's also a US non-profit organization. They're seeking donations to help keep the ball rolling. Starting in 2013, the organization has been growing, and has featured such artists as Free Salamander Exhibit, Jack o' the Clock, Nik Turner, Cabezas de Cera, Miriodor, Thinking Plague, and many more. » Read more

2018-11-16
The Seventeenth Dream of Dr Sardonicus Festival Tickets Now Available – Fruits de Mer Records and their merry crew of psychedelic explorers are getting set to present the next The Seventeenth Dream of Dr. Sardonicus Festival. The dates are set for August 2-4, 2019 at The Cellar Bar in Cardigan, Wales. They've also announced that the legendary Groundhogs will top the bill. » Read more

2018-11-02
Charles O'Meara (C.W. Vrtacek) RIP – A true musical original has left us. Charles O'Meara, who recorded under the name C.W. Vrtacek, was a wild-card musical talent, ranging from complex progressive rock to introspective modern compositions, with stops at many places inbetween. » Read more


Previously in Exposé...

Rick Wakeman - The Masters – Between 1982 and 1995 Wakeman released a staggering 35 recordings! None of these are known to more than a few people (I have only seen about four of them myself), so the convenience of this...  (2000) » Read more



Listen & discover



Print issues