Ramses — La Leyla / Eternity Rise
(Sky CD 32, 1978/1993, CD)
by Mike Ohman, Published 1995-03-01
This CD release collects the first two of three albums by this German band led by brothers Winfried (keyboards) and Norbert (guitar) Langhorst. The band's music is in the spacy symphonic mould, comparable perhaps to Eloy or other mid-to-late-70s German bands, but these albums are better than most of the Eloy that I've heard — and I've heard lots of Eloy — I think because Ramses is a bit more original and has more sonic variety. The band's debut, La Leyla, was co-produced by "sound-wizard" Conny Plank and Jane guitarist Klaus Hess. With this release, they have already proven themselves more sophisticated than Jane. Winfried's keyboards act as the sort of musical significator, shimmering analog synth leads placed atop whirling Hammond organ and rich Mellotron/Stringensemble pillows. Drummer Reinhard Schroeter nimbly adapts to the shifting tempos, while Norbert's guitar emanates from the sonic keyboard sea with wailing solos. Herbert Natho is the vocalist, his range is mostly low- to mid-range tenor, but his voice can occasionally get surprisingly high. You may like him or you may not; he's never especially annoying, though, and I can't think of anyone to compare him to. He simply doesn't sound like anyone else but himself. On occasion (as on "Someone Like Me" or the title song from La Leyla), he is joined by Winfried singing harmony, who possesses a ghostly, quasi-female falsetto. This adds to the dark, minor-chorded tone of the album.
Eternity Rise begins unremarkably with the string-laden ballad "City Life." But soon we're treated to more rhythmically/melodically refined fare as "Only Yesterday" and the instrumental "Agitation Play," which are easily as good as anything from the first album. In fact, the eleven-minute title song may well be the band's finest of all, the motival organ-led finale is truly breathtaking. In all, this is a highly worthwhile purchase for those who enjoy Novalis, Grobschnitt, Eloy et al. Ramses are easily on a par with their peers and helped pave the way for bands like Epidaurus and Anyone's Daughter. They didn't deserve to be as overlooked as they were.
Related artist(s): Ramses
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From the press release:
To Wake a Dream in Moving Water takes from Echo Us' past and spins it into a whole new direction, one closer to traditional acoustic Celtic music than ever before.
To Wake a Dream in Moving Water was composed and recorded during the first few months of 2017. Although Celtic influenced and comprised of a number of re-workings of Irish folk tunes and Breton aires, the album is still in large part new and original Echo Us music that fits right in the Echo Us ‘canon’. “Wake” is a natural progression from “A Priori Memoriae”, which was released to critical acclaim in Europe in 2014.
To Wake a Dream in Moving Water is Echo Us’ ‘Celtic’ album that was planned for a long time but never executed because of the work on the trilogy that came before it. The album title is a typical ‘Echo Us’ play on words which one can find their own meaning.
“It is also both evocative of the Oregon rain, which I am told is not too unlike the rain in Ireland.”(Matthews)
To Wake a Dream in Moving Water is also a comment on conception- which was unintentional when the lyric was written. Matthews surprised himself a few months after writing it, realizing that the song was actually about the nitty gritty, biological workings of what happens when a child is conceived. The folk song it derives from musically describes a courting ritual, one that even today we can all relate to in our own way.
“Come With Me Over the Mountain" in acapella was the musical inspiration for the song, and came into my consciousness after the lyrics were written a few months prior. “ (Matthews)
As with all Echo Us recordings, a number of seeming coincidences resulted in connections being drawn where prior there were none. Another experience of similar capacity was found in oboe samples from A Priori Memoriae that echoed the traditional “May Morning Dew’, also reworked for guitar on the new album.