Saro Cosentino / Mino DiMartino — TV Dinner
(Musicando MUS 015, 1995, CD)
by Peter Thelen, Published 1996-08-01
Mino di Martino was one half of Albergo Intergallatico Spaziale (reviewed elsewhere in this issue), and prior to that a member of I Giganti; here he is joined up with Saro Cosentino, the two playing keyboards, guitars, e-bow and tape loops. No vocals, although there are some muted space whispers on one of the tunes and choir samples on another. Most of the work herein might be grouped as "aggressive electronics," comparable to earlier work of Battiato, early Sensations Fix, or Richard Pinhas circa Iceland. In general, this is more drifty and free, and the lack of a percussionist plays into that very well, though taped percussion loops are used on several of the tracks. Each of the six has its own unique character, some like "Alphaville" and "Parco Nazionale" are intensely rhythmic, while others like "Agnus Dei" and "Uscite dal Mondo" are more floating and spacious events. Certainly fans of the aforementioned electronic artists should find this disc worthwhile.
Related artist(s): Saro Cosentino
Wolfgang Dauner RIP – Pianist Wolfgang Dauner, one of the pioneers of both European free jazz and jazz rock, has died at the age of 84. With his own groups and with the United Jazz+Rock Ensemble, his playing and compositions were a prominent presence in European jazz from the mid-60s until just recently. » Read more
Michael Allison RIP – Michael Allison, who since 1997 has been recording as Darshan Ambient, passed away on January 9th after a long and brave battle with cancer. He has been at at the forefront of the new ambient/electronic music scene, with over eighteen releases to his credit. » Read more
Neil Peart RIP – One of rock music's defining drummers has died at the age of 67. Neil Peart's work with Rush provided one of the templates for percussion in rock, and he certainly ranks in the top ten most influential drummers of the 20th Century. Peart retired from playing in 2015 due to health issues, and succumbed to brain cancer on January 7, 2020. » Read more
Joel Vandroogenbroeck RIP – Word has reached us of the death of Joel Vandroogenbroeck, best known as one of the founders of Brainticket, He also recorded electronic music under a variety of names. He was born August 25th, 1938 in Brussels, Belgium and died December 23, 2019 in Arlesheim, Switzerland, aged 81. » Read more
(Tom Newman) - Variations on a Rhythm of Mike Oldfield - David Bedford – This is a four track EP, and is basically a Tom Newman album. It's confusing, I know. This is some of that stuff you know Oldfield and Co. did for laughs (when perhaps beer and worse entered the... (1998) » Read more
From the press release:
To Wake a Dream in Moving Water takes from Echo Us' past and spins it into a whole new direction, one closer to traditional acoustic Celtic music than ever before.
To Wake a Dream in Moving Water was composed and recorded during the first few months of 2017. Although Celtic influenced and comprised of a number of re-workings of Irish folk tunes and Breton aires, the album is still in large part new and original Echo Us music that fits right in the Echo Us ‘canon’. “Wake” is a natural progression from “A Priori Memoriae”, which was released to critical acclaim in Europe in 2014.
To Wake a Dream in Moving Water is Echo Us’ ‘Celtic’ album that was planned for a long time but never executed because of the work on the trilogy that came before it. The album title is a typical ‘Echo Us’ play on words which one can find their own meaning.
“It is also both evocative of the Oregon rain, which I am told is not too unlike the rain in Ireland.”(Matthews)
To Wake a Dream in Moving Water is also a comment on conception- which was unintentional when the lyric was written. Matthews surprised himself a few months after writing it, realizing that the song was actually about the nitty gritty, biological workings of what happens when a child is conceived. The folk song it derives from musically describes a courting ritual, one that even today we can all relate to in our own way.
“Come With Me Over the Mountain" in acapella was the musical inspiration for the song, and came into my consciousness after the lyrics were written a few months prior. “ (Matthews)
As with all Echo Us recordings, a number of seeming coincidences resulted in connections being drawn where prior there were none. Another experience of similar capacity was found in oboe samples from A Priori Memoriae that echoed the traditional “May Morning Dew’, also reworked for guitar on the new album.