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The Spacious Mind — Sailing the Seagoat
(Garageland GRCD 018, 1996, CD)
by Dan Casey, Published 1996-08-01
Here's an interesting concept. Take simple folk ideas, add a little psychedelic electronics and synth, add a few flute and bongo lines and some very radio-friendly vocals and brew up some long, explorative songs. This, their third album, consists of five tracks in the eight to 11 minute range, which is a good six or seven minutes shorter than the averages for the last two albums. A few cautions: brace yourself for 45 minutes of nonstop acoustic guitar chord strumming. Right from the beginning, the strumming starts and it literally doesn't let up until the end. The other big point of contention is the quality of the electronics: they are overall amateurish, unoriginal, and thin. The vocals are well-done, but more MTV-ish than you might expect in this genre (lyrics are in well-pronounced English). The bottom line is that this album has a decent premise, but the execution is below average. The music just moves along slowly, never really building to anything. And there are other bands merging the same elements much more successfully. Italy's Dunwich is a prime example, and more original to boot. However, if you enjoyed their prior efforts, this too will satisfy.
Related artist(s): The Spacious Mind
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