Exposé Online banner

Tipographica — God Says I Can't Dance
(Mellow MMP 310, 1996, CD)

by Mike McLatchey, 1996-08-01:

God Says I Can't Dance Cover art As well covered in Exposé, Tipographica are one of the best new music ensembles around, a band better suited to those with largely experimental tastes. After a superb debut and equally interesting live album, the band is back with their newest studio release, an album which surprisingly enough shouldn't surprise anyone now. God Says I Can't Dance is like a step back to the first album, with the same very staggered rhythmic structures (like Zappa's early 70s bands performing Jon Hassell's "Chor Moire" from Dream Theory in Malaya for an upcoming Recommended release) and whimsical melodies/anti-melodies. I was very impressed with the way the band would whip it out on the live album — in true Zappa style with great solos from the various instrumentalists (often guitar, sax and trombone), so I was maybe a bit disappointed that there wasn't more of that on the new one. Who’s to complain though, as the band hasn't lost any of their edge they're still tight, spirited, humorous, and cutting-edge. Although this isn't much of a development on past styles for the band, Tipographica are still light years away from many of their contemporaries and this is as good as any of their releases.

by Alain Lachapelle, 1996-08-01:

The definition of progressive rock is growing wider each year. There is a trend that consists of injecting healthy doses of fusion, what with a jazz rock aura in the neighborhood. All over the worldwide prog rock community we have listened to great bands pushing forward the basic definition of the genre and to this extent, Tipographica's God Says I Can't Dance is an enjoyable and intricate sample. Master structure builder Tsuneo Imahori sketches angular foundations that could be materialized as Picasso paintings. Complex odd rhythms over which flurries of notes are often flying by, while the sax and trombone are anchoring the modal atmosphere. On the opener, "Friends," there is a definite nod to the work of orchestral Zappa. A drawback in this maelstrom of sonic explorations is that there are but few passages of 'letting go' in which an instrument can take the listener from point A to B without going through the whole museum of Modern Arts. But this is overcome by the compositional work that doesn't fail to attract the listener's attention. We're clearly out of 'traditional' prog rock here, and it could very well be that people defining progressive music by standards such as Yes and Pendragon would frown upon the seeming lack of 'song' patterns, not to mention the harmonic explorations. On the other hand, fans of the orchestral work of Francesco Z. will find here an ample terrain to explore. God said Imahori can't dance, but it could very well be that God has definite plans as to underline 'progressive' in 'prog rock' for the future.

by Peter Thelen, 1996-08-01:

By now everyone should know who these guys are and have some kind of idea what they sound like, even if you've never actually heard anything by them (unless you've been living in a cave, or reading one of the other magazines). This is the follow-up to last year's outstanding live release The Man Who Does Not Nod. Listeners who are wooed only by pretty melodies, thick fat blankets of synthesizer effects, and an occasional measure in odd time may not find Tipographica's music that appealing. On the other hand, those who are beckoned by impossible-to-play counterpoint and revel in the pure mathematical complexity of six players each in their own time signature should find much here of interest. Indeed, Tipographica's music at times seems like the ultimate statement of musical unpredictability, until you give it a many close listens and really get to know it. Fans of Frank Zappa, Henry Cow and Canterbury — or anybody moving in that general direction — should find Tipographica's playful and convoluted compositions to be more than adequate stimulus amid the plethora of progressive rock bands that refuse to progress. All the compositions are penned by guitarist Tsuneo Imahori, the rest of the lineup being bass, drums, keyboards, trombone, and sax. No vocal pollution to get in the way of the music. Compared to last year's live album, this one has a more composed feel, a bit closer to their studio debut. Any way you look at it, this one is a total smoker; Tipo has done it again!


Filed under: New releases , Issue 10 , 1996 releases

Related artist(s): Tipographica

More info
http://mellowrecords.bandcamp.com/album/tipographica-god-says-i-cant-dance

Latest news

2018-11-16
The Seventeenth Dream of Dr Sardonicus Festival Tickets Now Available – Fruits de Mer Records and their merry crew of psychedelic explorers are getting set to present the next The Seventeenth Dream of Dr. Sardonicus Festival. The dates are set for August 2-4, 2019 at The Cellar Bar in Cardigan, Wales. They've also announced that the legendary Groundhogs will top the bill. » Read more

2018-11-02
Charles O'Meara (C.W. Vrtacek) RIP – A true musical original has left us. Charles O'Meara, who recorded under the name C.W. Vrtacek, was a wild-card musical talent, ranging from complex progressive rock to introspective modern compositions, with stops at many places inbetween. » Read more

2018-10-17
Eurock Documentary Seeks Funding – We've been fans and fellow travelers with Archie Patterson and his Eurock project on the journey to discover great music. After many years of promoting and trying to spread the word,a new phase is beginning: a documentary film. Things like this don't just happen, and money does not magically appear to make it happen, so it's up to the fans to get it done. » Read more

2018-09-29
Marty Balin RIP – One of the architects of the 60s psychedelic sound of San Francisco has died at the age of 76. Marty Balin was a singer, songwriter, and guitarist who was one of the founders of Jefferson Airplane. After the split of the original Airplane, Balin went on to form the highly successful Jefferson Starship. » Read more

2018-09-25
Help the Psychic Equalizer Avoid Extinction – Last year we reviewed the debut album by Psychic Equalizer, a musical project of Hugo Selles. He's now working on the ambitious follow-up to that release, and is seeking funding from listeners around the world. » Read more


Previously in Exposé...

Biota - Half a True Day – Colorado Art colony Biota continues to make strides in their first new collaboration in over six years. Since their last recording, the European folk elements have been put in the background in favor...  (2008) » Read more

Chardeau - Hors Portée Highlight/Instrumental – Jean-Jacques Chardeau is a new name to me. He is a French vocalist and keyboardist who assembled an impressive line up of musicians on these two CDs that were recorded together: violinist Jerry...  (2006) » Read more

Cédric Vuille - #804 Center Street – A founding member of the Swiss ensemble Debile Menthol, then of L’Ensemble Rayé, Cédric Vuille is an accomplished multi-instrumentalist. In the liner notes he writes about when, at age 17 and...  (2008) » Read more

Ragnarök - Path – If you are old enough, you might remember that Ragnarök was part of the Swedish Prog Rock movement in the mid 70s. Their self-titled album released in 1975 was typical 70s art-rock. The band vanished...  (2009) » Read more

The Nels Cline Singers - The Giant Pin – Since these initial recording dates in 2003 guitarist Nels Cline has been propelled from obscure LA sound sculptor to the indie big time with Wilco. Sifting through these older trio performances...  (2007) » Read more



Listen & discover



Print issues