Twenty Sixty Six and Then — Reflections!
(Second Battle SB 025, 1972/1994, CD)
by Mike Ohman, Published 1995-03-01
Twenty Sixty Six and Then's Reflections on the Future remains one of the most legendary German prog LPs. As the master tapes were lost long ago, a reissue didn't seem likely, except as an LP transcription. But through a diligent search, the people at Second Battle Records found tapes with alternate versions of all the Reflections on the Future songs, in many cases extended, and in the case of "The Way That I Feel Today," retitled (it was originally called "How Would You Feel"). This album may be one of the best from the German underground prog scene. The simmering electric guitar and bluesy vocals ought to please the heavy rock fan, yet there's also something to give pleasure to the serious prog-head: dual keyboards. The interplay between keyboardists Veit Marvos and Steve Robinson is quite amazing. The lightning organ-runs on "At My Home," the abundant swells of Mellotron on "Autumn," the alternating electric piano/organ lines on "Butterking," and the unbelievable (for 1972) synthesizer duet in the middle of the 16-minute title tune are all absolute marvels to behold, and make up part of the reason why the album is so great. As stated before, this falls into the heavy-rock mold. Don't let that scare you off. Though Geff Harrison's vocals can be a bit on the gruff side, and the guitar tone is somewhat proto-metal in the Black Sabbath vein, the musicianship, composing and attitude point towards progressive rock. This is not a bunch of garage-rockers with arty pretensions, these are talented musicians with valid musical ideas. In fact, the surging guitar helps create a maelstrom of intensity, which is part of the magic. Listen to the guitar/organ tradeoffs on "Autumn" for a good example, or the guitar and flute playing in unison at the beginning of "The Way That I Feel Today." The one real drawback of the album are the three bonus tracks, most of which don't fit in to the style of the rest of the album. The last two were obviously recorded much later, so that would account for their difference in sound. In fact, "Time Can't Take It Away" would later be re-done by Veit Marvos' subsequent band, Emergency. The version here is much slower, less complex and not as good. The older track, the 13-minute instrumental "Spring," is closer in character to the earlier songs. Heavily centered around organ, it's ephemerally pleasing, but longer than it needs to be. This band was an undeniable firestorm of talent, and this album is a fitting epitaph to their memory. If you've never heard anything from this period in German rock history, you owe it to yourself to let this album be your introduction to the subgenre. My heartiest recommendations go out to this.
Ennio Morricone RIP – Famed composer Ennio Morricone has died at the age of 91. The creator of scores for more than 500 movies, some of his works have become the most recognizable sounds in the history of cinema. His soundtracks for Sergio Leone's Westerns made from 1964 to 1971, are iconic landmarks in film music, but he also composed for dramas, comedies, and other genres. He won the Academy Award for Best Original Score in 2016 for The Hateful Eight. » Read more
Keith Tippett RIP – One of the giants of British jazz has left us. Keith Graham Tippetts, known professionally as Keith Tippett, died today at the age of 72. His work from the late 60s into the 70s and beyond includes some of the greatest jazz produced in the UK, and stands as an impressive oevre to this day. » Read more
Phil May of The Pretty Things RIP – We were saddened to learn that Phil May, lead singer and founding member of The Pretty Things, has died at the age of 75. The band's 1968 album S.F. Sorrow is one of the enduring classics of the psychedelic era, and the group existed in various forms until finally retiring in 2018. » Read more
Jorge Santana RIP – Jorge Santana, noted guitarist, leader of the band Malo and brother to Carlos Santana, died on May 14 at the age of 68. Jorge and Carlos worked together on a number of occasions, though Jorge's career was centered around Malo, solo work, and with Fania All-Stars. » Read more
The Long Dead Sevens - The White Waltz & Other Stories – The Long Dead Sevens, an interesting name and an interesting band. Picture if you will, Nick Cave and the Bad Seeds covering Leonard Cohen with a dash of Tom Waits thrown in for good measure and you... (2009) » Read more