Exposé Online banner

Versailles — Le Trésor de Valliesres
(Musea FGBG 4103.AR, 1994, CD)

by Peter Thelen, 1994-08-01:

Le Trésor de Valliesres Cover art This latest offering from the French four-piece Versailles takes the spirit of the classic French symphonics (Ange, Mona Lisa, etc.) and dresses it in a modern suit of heavy armor. Vocalist Guillaume de la Pilière links the present to the past, and although his voice is a bit more gravelly and uncontrolled than Christian Décamps (of Ange), it's still quite evident that there is a major influence here. Lyrics are all in French. Guillaume is also the guitarist and flautist, and on the longer tracks he and the rest of the band stretch out and show what they are made of, a powerful symphonic based rock with a very French feel, dramatic and emotional. They do an excellent job on these instrumental passages, and nobly attempt to do some very complex licks, yet at times I get the feeling they are in a little over their heads. At their instrumental best (eg. the twenty minute "Une Saint Barthélémy Dévote" or the thirteen minute "Dégénérescence obsessionelle") they can call in all the powers and deliver a powerful rock based opus with a complex edge and gripping solos. Shorter tracks like "Exquisite Betise,” "Avec Tous Mes Hommages" and "Viendra L'heure" call up the spirit of the past a bit more, due to their high degree of vocal content — yet the inclusion of both keeps the album from weighing down or becoming too lofty and poetic. An acoustic guitar instrumental "Jadis" flows nicely in the mix as well. One complaint is of the sound quality, of concern only when everyone is playing at once — but which is probably when a listener wants to hear the most. The clarity suffers a bit at some of these power points, yet still it's not as bad as the mix in Deus Ex Machina's Gladium Caeli. Overall, this is a winner, one I'm certain that most listeners would enjoy.

by Mike McLatchey, 1994-08-01:

It’s amazing how with opinions on bands, even one or two can sway you. This is French group Versailles' third album, and by the reports of their first album Le Cathédrale du Temps, I was warned to stay far away. This opinion also affected my decision to ignore their Don Giovanni, which was declared by some as a big step up. Their third album here has been quite a talking point in the scene now, and with all the good opinions on this one I'd figure I'd take a listen. I'm very glad I did as well, as this album is by far one of the best I have heard in its style in quite some time. First comparison is obvious in that these guys used to listen to a lot of Ange, which is evident by their contribution to the A Propos d'Ange compilation. Vocalist Guillaume de la Pillière sounds quite a bit like Christian Décamps at time, yet not quite as strong. In fact some of the narration reminds me heavily of the style on the Emile Jacotey album. Instrumentally, all are constantly improving musicians, most notably the keyboadist whose organ chops and synth leads are quite pleasing to the senses. At times the music is a tad sloppy in the rhythm department — not that they are bad players, the fact that they're taking these impressive steps up is more than enough to cover for it. The music is excellent with a good mix of digital and analog (the Mellotron is extremely effective here) keys, and is in a restrained powerful style comparable to Pink Floyd circa Meddle (parts of it are practically plagiaristic — check out the David Gilmour guitar lines a la “Echoes” in “Une Saint Barthélémy Dévote” ) or classic Pulsar ("Strands" or "Halloween"). The music is dynamic, melodic, well constructed with diverse use of sounds and textures. By the time you get to the incredible 20 minute "Une Saint Barthélémy Dévote" I'm sure any symphonic fan will be under its spell. This is great music, and a tribute to a band trying hard to improve in all ways. Excellent and highly recommended (except for the tacky cover).

Filed under: New releases , Issue 4 , 1994 releases

Related artist(s): Versailles

More info

Latest news

2018-07-09
Soft Machine Set to Release New Music – It's been 50 years since The Soft Machine changed the face of music with their first album. Their blend of psychedelic rock and jazz was unique, and while the band went through many changes before disbanding in 1981 — by which time there were no original members remaining — they remained an innovative force with a style all their own. » Read more

2018-07-01
7d Surfaces Happy Rhodes Back Catalog – We've covered singer Happy Rhodes before, both for her solo work and recently with The Security Project, but her 11 albums have been hard to track down. Until now. 7d features high-quality downloads of all her releases, and several of them are also available on CD. » Read more

2018-06-25
Fred Chalenor RIP – We have news of another sad passing in the world of creative music. Bassist Fred Chalenor, whose creativity featured on albums by Tone Dogs, Caveman Shoestore, and many more, died on June 23, 2018 after a long battle with Alzheimer's. Tributes have poured in from the many musicians and fans whose lives he touched. » Read more

2018-06-13
Jon Hiseman RIP – One of the great drummers of the rock era has died. Jon Hiseman was a veteran of such ground-breaking groups as Colosseum (I and II), Tempest, John Mayal's Bleusbreakers, and was a founding member of the innovative large band United Jazz + Rock Ensemble. » Read more

2018-06-05
Koenjihyakkei Seeks Funding for New Album – It's been quite a few years since the last new studio album by the amazing Koenjihyakkei. Now they are preparing Dhormimviskha for worldwide release, and they're asking fans to pre-order via a Kickstarter campaign to help it happen. » Read more


Previously in Exposé...

Zao - Z=7L – For those not familiar with Zao, they were the first true Magma spin-off band, formed by reedsman Yochk'o Seffer and pianist Francois "Faton" Cahen, at a time when their creative role within that band...  (1994) » Read more

Bread, Love and Dreams - Amaryllis – I suppose this fell into the progressive camp because: a) it's British and from the early 70s, b) it's folk rock; and c) there's a 21-minute title track. Let me break it to you slow: a+b+c...  (1995) » Read more

Gong Global Family - Live in Brazil 20 November 2007 – November 20th, 2007 is the date, one of three shows in Brazil that year. Daevid Allen and Josh Pollock (University of Errors) are joined by a number of Brazilian musicians (members of the Invisible...  (2011) » Read more

Zed - You Are Here – Not to be confused with Bernard Szajner’s dark and ominous band Zed from the late 70s, this Colorado based jazz-rock quartet has a positive outlook and a bright, colorful collection of styles to...  (2008) » Read more

Sleepytime Gorilla Museum - Grand Opening and Closing – After two years of playing astounding shows in the Bay Area and with a national tour under their belt, this band finally has an album out! Sleepytime Gorilla Museum is a Bay Area supergroup of sorts....  (2001) » Read more



Listen & discover



Print issues