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The Dance of Freedom and Form —
The Adam Rudolph Interview

Cover art With a recorded career stretching back to the early 70s and including many luminaries, Adam Rudolph surely qualifies as one of the most prominent percussionists in jazz. He was at the forefront of fusing African sounds into Western forms, and he’s led many innovative and creative ensembles. He has also developed a concept of rhythm that is a synthesis of many styles from around the world and written about it in the book Pure Rhythm.  » Read more
(Posted by Jon Davis 2017-09-18)

Listening to the Little Demon —
The Alex's Hand Interview

Cover art In this or any other musical era, the band Alex's Hand stands out as different. Very little about them, from the music they play to the convoluted story that has taken them from Seattle to Berlin, conforms to expectations or standards. "Fiercely independent" is an understatement of their attitude. I've been a fan since I first saw them in a dive bar in Seattle, and have kept up with them ever since. I caught up with them from Berlin via email.  » Read more
(Posted by Jon Davis 2017-08-04)

Is Performing in a Cock-Fighting Ring a Secret Worth Keeping? —
The Sam Arnold Interview

Cover art Another of Austin’s best-kept musical secrets in its growing community of musicians who are constantly pushing boundaries is progressive art rock musician Sam Arnold. Here is another chapter in Exposé’s continued efforts to bring this music to a larger audience. I’ve had the pleasure of reviewing Sam Arnold’s efforts with Opposite Day and his new project Sam Arnold and the Secret Keepers. So I wanted to learn more about the man behind the music.  » Read more
(Posted by Henry Schneider 2017-06-30)

Seeking the Dimensional Connector —
The Kalaban Interview 2017

Cover art On the upper floor of a large garage on back side of the property, equipped better than most commercial garages might be, we walk up a long stairway and open a red door with something scrawled on it. This is Randy Graves’ world class recording studio, where he and drummer Kyle Nish have been working on the latest Kalaban release, Edge of Infinity. These days it’s more of a project than a working band. If there were a need to play live, musicians would have to be hired to play the various parts, but at this point Graves and Nish are content to simply create music in the studio and record it. Tonight is a special night, they are working on a long piece of music (as yet untitled) destined to be used as the soundtrack for a motor sport racing DVD, filmed on the Bonneville salt flats west of the Great Salt Lake.  » Read more
(Posted by Peter Thelen 2017-06-22)

Enraging the Painter Next Door —
The Zero Times Everything Interview

Cover art Among the many groups that have originated with Robert Fripp’s Guitar Craft seminars, Zero Times Everything stands as an outlier. While there are guitars involved, the music is largely electronic, with programmed percussion parts, heavily processed sounds, and sampled voices. About as far from the California Guitar Trio (for example) as you can get, at least on the surface.  » Read more
(Posted by Jon Davis 2017-05-19)

Chasing the Exhilarating Foreboding —
The Jack o' the Clock Interview

Cover art For about ten years now, Jack o' the Clock has been turning heads and ears with their singular style of music, which takes in elements of classical music, folk, and rock, combining them with a heavy dose of "It's so crazy it just might work!" Leader Damon Waitkus has assembled an ensemble who demonstrate that formal musical education does not always kill creativity, blending bass guitar and drum kit with violin, bassoon, hammer dulcimer, and countless other instruments common and obscure.  » Read more
(Posted by Jon Davis 2017-05-09)

Accessible Complexity from Tiny Seeds —
The Human Ottoman Interview

Cover art As if we needed more proof that creative music can spring up outside the so-called cultural centers of the country, we have Human Ottoman, a trio from Portland, Oregon. Grouping together drum kit, vibraphone, and cello is unconventional enough, but they take it to another level by writing music that contains elements of jazz, rock, and electronics combined with reckless abandon and an adventurous spirit. To say they sound like no other band is not hyperbole, but simple statement of fact.  » Read more
(Posted by Jon Davis 2017-04-14)

Craft in an Age of Disposable Culture —
Stick Men in Seattle, 2017

Cover art I suppose there are many contenders for the title of Hardest Working Band, but luckily that’s not a real contest, and certainly hard work alone is no gauge of worthiness. Since Stick Men got started as a development of Tony Levin’s Stick Man album ten years ago, the band has kept the new material coming, with studio and live releases getting into double digits (depending on how you count multiple versions of some of the live albums).  » Read more
(Posted by Jon Davis 2017-02-10)

Interconnectedness and Dynamic Grit —
The Mount Pressmore Interview

Cover art In Austin's current crop of progressive-leaning bands, Mount Pressmore stands a little closer to the melodic indie-rock side than some, but their music is subtle and complex in small ways, reflecting the vision of leader, keyboardist, vocalist, and chief composer Thomas Shaw. I conducted an email interview with him, touching on the band's history and future, and what's so special about the Rhodes electric piano.  » Read more
(Posted by Jon Davis 2016-11-26)

An Open-Minded Approach to Music —
The Aaron Clift Interview

Cover art Deep in the heart of Texas is a growing community of bands and musicians pushing the boundaries of music and rejuvenating progressive rock. Expose is in the forefront in elevating the visibility of these bands to our readership through reviews, sponsoring the now annual Voyager Fest, and band interviews. For this latest installment, I have had the pleasure of interviewing the mastermind behind the Aaron Clift Experiment, Aaron Clift himself in advance of the Holiday Charity Rocktacular on December 3, 2016. I would have preferred to sit down at one of Austin’s relaxed outdoor venues for this interview, but work forced me to conduct the interview via email.  » Read more
(Posted by Henry Schneider 2016-11-22)

Latest news

2017-10-18
Phil Miller RIP – Sad word reaches us today of the passing of another of the great musicians of the Canterbury Scene — guitarist Phil Miller. His distinctive sound added greatly to Matching Mole, Hatfield and the North, and National Health, and he also contributed to albums by Caravan, Dave Stewart $amp; Barbara Gaskin, and many others. He was 68. » Read more

2017-10-13
Moonjune to Distribute Tony Levin's Back Catalog – It has been announced that Moonjune will now handle distribution for Tony Levin's catalog of releases. These great albums will now be a bit easier to get hold of, so check out the site and see what you're missing. The veteran of King Crimson and Stick Men worked with a host of great players on these albums, and we've reviewed most of them over the course of the years. » Read more

2017-09-26
Bandcamp Shines Light on Niches We Like – Bandcamp has developed into one of the best places to discover new music, and even a lot of old music is showing up there. In addition, their staff has been producing periodic articles spotlighting some interesting stylistic areas. On 20 September, they published one called "The New Face of Prog Rock" which bears checking out. » Read more

2017-09-06
Holger Czukay RIP – Holger Czukay, a musical experimentalist without boundaries who has been involved with expanding the sound palette of rock music since the late 60s, has died at the age of 79. After studying with Karlheinz Stockhausen in the early 60s, he became fascinated with the possibilities of rock music, and was a co-founder of the pioneering group Can. He leaves behind an impressive body of work both as musician and producer. » Read more

2017-08-22
John Abercrombie RIP – Another of the greats of jazz guitar has left us. John Abercrombie plied his way through a beautiful series of albums on the ECM label as well as bringing his talent to bear on albums by many of jazz's greatest artists. From his early work in the group Dreams to Gateway and outstanding work with Billy Cobham, Jack DeJohnette, Kenny Wheeler, and many more to his own trios and quartets, he brought a unique instrumental voice to the world. » Read more


Previously in Exposé...

Soft Machine Legacy - Live Adventures – With the sad passing of Canterbury icons Elton Dean and Hugh Hopper, the reformulated quartet continues to carry on convincingly in the vein of the great icon of British Jazz. Now led by the voices of...  (2011) » Read more

Apoteosi - Apoteosi – The Mellow label, run by Mauro Moroni, has probably released more discs in the last year and a half than Musea, Kinetic, Cuneiform and Syn-phonic put together. Dedicated to re-issuing long-lost...  (1994) » Read more

Nektar - Remember the Future – For me, Remember the Future has always been the Nektar album. It was the first one I heard, and the others have seemed like variations on its format (disregarding the later albums, which don’t...  (2005) » Read more

Ozric Tentacles - Sunrise Festival – In years of late, at least for the studio recordings, Ozrics have been essentially the solo project of de-facto bandleader Ed Wynne (guitars and keys), with other players dropped in here and there on...  (2008) » Read more

Apple - An Apple a Day – Here we have the long-awaited CD release of one of the most collectible LPs of British psychedelia. Those of us who can’t shell out hundreds of dollars (or pounds) to hear the original can now...  (2006) » Read more



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