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Seeking the Dimensional Connector —
The Kalaban Interview 2017

Cover art On the upper floor of a large garage on back side of the property, equipped better than most commercial garages might be, we walk up a long stairway and open a red door with something scrawled on it. This is Randy Graves’ world class recording studio, where he and drummer Kyle Nish have been working on the latest Kalaban release, Edge of Infinity. These days it’s more of a project than a working band. If there were a need to play live, musicians would have to be hired to play the various parts, but at this point Graves and Nish are content to simply create music in the studio and record it. Tonight is a special night, they are working on a long piece of music (as yet untitled) destined to be used as the soundtrack for a motor sport racing DVD, filmed on the Bonneville salt flats west of the Great Salt Lake.  » Read more
(Posted by Peter Thelen 2017-06-22)

Enraging the Painter Next Door —
The Zero Times Everything Interview

Cover art Among the many groups that have originated with Robert Fripp’s Guitar Craft seminars, Zero Times Everything stands as an outlier. While there are guitars involved, the music is largely electronic, with programmed percussion parts, heavily processed sounds, and sampled voices. About as far from the California Guitar Trio (for example) as you can get, at least on the surface.  » Read more
(Posted by Jon Davis 2017-05-19)

Chasing the Exhilarating Foreboding —
The Jack o' the Clock Interview

Cover art For about ten years now, Jack o' the Clock has been turning heads and ears with their singular style of music, which takes in elements of classical music, folk, and rock, combining them with a heavy dose of "It's so crazy it just might work!" Leader Damon Waitkus has assembled an ensemble who demonstrate that formal musical education does not always kill creativity, blending bass guitar and drum kit with violin, bassoon, hammer dulcimer, and countless other instruments common and obscure.  » Read more
(Posted by Jon Davis 2017-05-09)

Accessible Complexity from Tiny Seeds —
The Human Ottoman Interview

Cover art As if we needed more proof that creative music can spring up outside the so-called cultural centers of the country, we have Human Ottoman, a trio from Portland, Oregon. Grouping together drum kit, vibraphone, and cello is unconventional enough, but they take it to another level by writing music that contains elements of jazz, rock, and electronics combined with reckless abandon and an adventurous spirit. To say they sound like no other band is not hyperbole, but simple statement of fact.  » Read more
(Posted by Jon Davis 2017-04-14)

Craft in an Age of Disposable Culture —
Stick Men in Seattle, 2017

Cover art I suppose there are many contenders for the title of Hardest Working Band, but luckily that’s not a real contest, and certainly hard work alone is no gauge of worthiness. Since Stick Men got started as a development of Tony Levin’s Stick Man album ten years ago, the band has kept the new material coming, with studio and live releases getting into double digits (depending on how you count multiple versions of some of the live albums).  » Read more
(Posted by Jon Davis 2017-02-10)

Interconnectedness and Dynamic Grit —
The Mount Pressmore Interview

Cover art In Austin's current crop of progressive-leaning bands, Mount Pressmore stands a little closer to the melodic indie-rock side than some, but their music is subtle and complex in small ways, reflecting the vision of leader, keyboardist, vocalist, and chief composer Thomas Shaw. I conducted an email interview with him, touching on the band's history and future, and what's so special about the Rhodes electric piano.  » Read more
(Posted by Jon Davis 2016-11-26)

An Open-Minded Approach to Music —
The Aaron Clift Interview

Cover art Deep in the heart of Texas is a growing community of bands and musicians pushing the boundaries of music and rejuvenating progressive rock. Expose is in the forefront in elevating the visibility of these bands to our readership through reviews, sponsoring the now annual Voyager Fest, and band interviews. For this latest installment, I have had the pleasure of interviewing the mastermind behind the Aaron Clift Experiment, Aaron Clift himself in advance of the Holiday Charity Rocktacular on December 3, 2016. I would have preferred to sit down at one of Austin’s relaxed outdoor venues for this interview, but work forced me to conduct the interview via email.  » Read more
(Posted by Henry Schneider 2016-11-22)

Not Wishing to Waffle —
The Syd Arthur Interview 2016

Cover art I first met and interviewed Syd Arthur back in 2014, while they were on tour with Sean Lennon’s GOASTT. I was delighted to have the opportunity to speak with them again before their recent San Francisco show opening for English singer-songwriter phenom Jake Bugg to learn what had transpired over the last two years.  » Read more
(Posted by Paul Hightower 2016-10-18)

A Desire to Surprise —
The RareNoise Interview

Cover art If you've been reading reviews on our site very long, you've noticed that RareNoise Records has a consistent history of producing music that challenges boundaries and is all over the map, both geographically and stylistically. From noise-jazz to electronic dub to acoustic free jazz, you never know what you're going to get with RareNoise, but you can be assured it'll be good. Label CEO Giacomo Bruzzo was kind enough to answer some of our questions via email.  » Read more
(Posted by Jon Davis 2016-09-21)

On Music and Social Identity —
The Stop Motion Orchestra Interview

Cover art Stop Motion Orchestra is not a band to be pigeonholed. Pulling together aspects of a wide range of styles and blending them with a healthy sense of fun, their debut album was one of the highlights of 2014. In conjunction with their appearance at the 2016 Voyager Festival, I was able to ask composer Mohadev a few questions to shed light on the band and his numerous other projects.  » Read more
(Posted by Jon Davis 2016-09-08)

Latest news

2017-05-19
First ProgStock Festival Set for October – October 2017 will see the inaugural edition of a festival called ProgStock in Rahway, New Jersey at the Union County Performing Arts Center. With a definite slant towards neo-progressive music, the event is sure to please many fans with the inclusion of such artists as Echolyn, Glass Hammer, and Aisles. The festival will take place October 13-15. » Read more

2017-05-05
Clive Brooks RIP – Word reaches us today of another sad passing in the music world. Drummer Clive Brooks, best known as a member of such Canterbury bands as Egg, Uriel / Arzachel, and Groundhogs, has died at the age of 67. Details are sketchy at this point. The news was reported on Nick Mason's Facebook page — Brooks was Mason's drum tech. » Read more

2017-05-02
Col. Bruce Hampton RIP – The phrase "He died doing what he loved" is almost a cliche, but in the case of Col. Bruce Hampton, it couldn't be more true. Hampton, who was born Gustav Berglund III, collapsed on stage at his own 70th birthday celebration and later passed away. The event took place at the Fox Theater in Atlanta. » Read more

2017-04-16
ProgDay 2017 Announces First Bands – Flor de Loto, Sonar, and Infinien are the first three performers to be announced for the 2017 edition of the long-running ProgDay Festival. The 23rd ProgDay takes place Saturday and Sunday, September 2nd and 3rd, at Storybook Farm in Chapel Hill, North Carolina. » Read more

2017-04-16
Allan Holdsworth RIP – Surely in the list of artists who have contributed to the sound of modern music, there is a special spot for guitarist Allan Holdsworth. His name is known to virtually every student of the instrument in jazz and rock, and his style has been so widely emulated that it's hardly worth mentioning anymore — we can just assume that every guitarist has Holdsworth as an influence. » Read more


Previously in Exposé...

Ergo Sum - Mexico – Ergo Sum was an early French progressive band, a six-piece featuring flute and violin, as well as the standard guitars, bass, drums and keyboards, plus a vocalist (Lionel Ledissez) who sounds...  (1994) » Read more

Agitation Free - Fragments – Whatever else they may have done in their recording career, Germany’s Agitation Free loved a good long jam. For their farewell bow, they played a concert in November of 1974 with a professional...  (2005) » Read more

Enbor - Enbor & Katebegiak – Lost Vinyl has a knack for unearthing rare Basque rock groups. The only catch is that you have to be careful to check out what axis they fall in. For all intent and purpose, Enbor is a straight...  (1995) » Read more

Devil Doll - Dies Irae – If ever there was a band that fit the "love 'em or hate 'em" mold, this is certainly it. Fans tend to be die-hards, and non-fans tend to just ignore this band. So when the fans are...  (1996) » Read more

Magma - 1001 Centigrades – Magma's second album continues in the experimental jazz-rock direction defined by the first. A few small lineup changes – the replacement of two horn players and the loss of guitarist Claude...  (1995) » Read more



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