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Exposé Online

Not just outside the box, but denying the existence of boxes.
Covering music from the fringes since 1993.

Available online from Issue 7

July 1995

60 Pages

Phish, Area & Demetrio Stratos, Happy Family, Hoelderlin, Vinyl Magic (Part 2), Artis/Cramps label, Lost Vinyl (Part 2), Stefan Dimle of Landberk, David Kerman of 5uu's

Showing items 1 to 20 of 170

A Beginner's Guide to 5uu's —
The Dave Kerman Interview

Cover art It certainly was a big surprise to discover that 5uu's would be playing here in Grenoble! They were one of the bands I had always dreamed of seeing on stage, even though I had kept my expectations low that I might ever see this Californian band in France. Grenoble would be their only French date of this six week European tour so we were lucky not to miss it. The "102" is used to program experimental, industrial, concrete music and underground movies. It was the only venue that could have invited a band like 5uu's over here but compared to some artists that the "102" usually features, the American quartet is nearly a pop band. Mastermind David Kerman kindly spent some time chatting with me before the gig, a perfect opportunity to get more information about a band we don't know much about.  » Read more
(Posted by Jean-Luc Putaux 1995-07-01)

A Phenomenological Phishing Expedition —
A Profile of Phish 1995

Cover art The phenomenon of Phish is a bit of an enigma. Playing music that for the most part ranges from not-particularly-commercial to wildly eclectic to seriously challenging, they are selling out large venues and even setting concert attendance records across the country. But while their fanbase has grown exponentially over the decade or so of their existence, they continue to receive little more than token mention in the music press, and what mention there is often tends to be horribly misguided and misinformed. So what is it about Phish that fans find so addictive yet critics and the music community as a whole seem to find so ungraspable?  » Read more
(Posted by Rob Walker 1995-07-01)

Kunst macht frei —
A Profile of Area

Cover art 1973 was a fertile time for music and musicians. As in any period of time, there were many minds questioning the so-called conventions of music and the music industry. The time was ripe for experimentation and the combining of disparate sound and styles in ways never before imagined. However, in the early 70s in Italy, artists did not automatically consign themselves to obscurity by doing so. Area was born of a strong political commitment, largely due to the polarized, fragmented political climate in Italy. Their political message was not hidden in comfortable and familiar pop-song structures; instead they challenged the listener with music as unsettling and difficult as their radical social ideas.  » Read more
(Posted by Mike Borella 1995-07-01)

Removing Borders from Music —
The Landberk Interview 1995

Cover art Berkeley, California. In the middle of a long day of shopping for rare and unusual vinyl artifacts, we pause at a sidewalk coffee stand and catch up on the latest news of things musical and progressive from both sides of the Atlantic. Stefan Dimle is the bassist and a founding member of the Swedish band Landberk, whose latest release One Man Tell's Another is selling well and gaining respect for the band worldwide.  » Read more
(Posted by Peter Thelen 1995-07-01)

Riding the Silver Elephant —
Meet Happy Family 1995

Cover art While Sweden has taken off as a hot spot in recent years, with new young bands like Anekdoten and Änglagård which have rightfully found a lot of attention and praise from prog fans worldwide, there has been an even more vital resurgence of prog bands cropping up on the other side of the world, namely in Japan. While the new Swedish bands are heavy on the classic sounds of the 70s and are largely focused on revitalizing that approach, the most recent outbreak of Japanese talent have pursued the loftier goal of creating new, fresh, and avant-garde forms of progressive rock that combines a multitude of influences into something completely revolutionary, something completely exciting.  » Read more
(Posted by Dan Casey 1995-07-01)

Weaving a String of Dreams —
The Hoelderlin Story

Cover art Hoelderlin are not generally mentioned in the same breath as Grobschnitt, SFF, Novalis, Wallenstein, and the other leading lights of German symphonic rock, but they should be. Their brand of progressive music, while distinctly German, was unlike any of their aforementioned peers. Hoelderlin's style is altogether mellower and more pastoral, drawing influence from rock, jazz, folk and the music of the Romantic era. The result is a lyrical, melodic music distinct from anything else happening in Germany. Perhaps this is why the recent reissues have not received the attention they deserved thus far.  » Read more
(Posted by Mike Ohman 1995-07-01)

Afterglow - Yggdrasil

Cover art I know what you're thinking! Stop thinking that! This young band from Marseille — despite their name, a thirteen minute track titled "Unquiet," and a style that is squarely in the neo-progressive...  » Read more
(Posted by Peter Thelen 1995-07-01)

Aktuala - Aktuala, La Terra & Tappeto Volante

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The creative forces behind Aktuala were Walter Maioli (arabic oboe, bamboo flute, naj, harmonica, piccolo, etc.) and Daniele Cavallanti (soprano and tenor sax, clarinet) who formed the band in...

 » Read more
(Posted by Peter Thelen 1995-07-01)

Alfredo Tisocco - Kátharsis, Ritagli d'Anima & Ballet Collection

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Alfredo Tisocco's solo career apart from Opus Avantra, began in 1975 with the release of...

 » Read more
(Posted by Peter Thelen 1995-07-01)

Alluminogeni - Geni Mutante & Green Grapes

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On the Fonit-Cetra label, Vinyl Magic reissued Scolopendra, an album from 1972 led by Patrizio Alluminio in the well-known keyboard-trio format. Gli Alluminogeni's music on that album...

 » Read more
(Posted by Mike McLatchey 1995-07-01)

Anaïd - Four Years

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The hybrid French/English ensemble Anaïd may or may not still be in existence; this CD combines some tracks from their only LP Belladonna and selected material from before and after....

 » Read more
(Posted by Rob Walker 1995-07-01)

Analogy - Analogy

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Analogy were a band made up of both Italian and German members, yet remained far closer stylistically to the latter. Analogy's main influence was certainly Ummagumma era Pink Floyd...

 » Read more
(Posted by Mike McLatchey 1995-07-01)

Arena - Songs from the Lion's Cage

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Mick Pointer, ex-Marillion drummer leading a comeback effort after 12 years away from the music scene? No way. Well, it's true — sort of anyway. After leaving Marillion following...

 » Read more
(Posted by Mike Grimes 1995-07-01)

Arti e Mestieri - Live

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Arti & Mestieri's first two albums were covered in issue #2, but let me...

 » Read more
(Posted by Mike McLatchey 1995-07-01)

Ataraxia - Adolescence of an Ancient Warrior

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Ataraxia were one of the more obscure of the original Made in Japan labelmates, back when they were still affiliated with the now-defunct Edison label. The band made one album in the mid-80s and...

 » Read more
(Posted by Mike Ohman 1995-07-01)

Banda Elástica - Los Awakates de Nepantla

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Dedicated to the memory of Frank Zappa, this Mexican RIO ensemble's superb new album is almost as reminiscent of another underappreciated influential innovator in rock music as it is of Zappa....

 » Read more
(Posted by Rob Walker 1995-07-01)

Banda Elástica - Los Awakates de Nepantla

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I haven't much music coming from across the border recently. However, we are very lucky that Banda Elástica managed to record their third album before the peso crashed. Los...

 » Read more
(Posted by Mike Borella 1995-07-01)

Barimar & Capricorn College - LP di Primavera

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This is by far the worse album on Vinyl Magic, a collection of short songs in an undeveloped thematic pop vein. Arguably, there are some decent moments, and taken by itself it's not truly...

 » Read more
(Posted by Mike McLatchey 1995-07-01)

Barrock - Oxian

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Like their name seems to imply, Barrock's music combines elements of Baroque and rock. The rock, in this case, is a modern Italian symphonic progressive sound with a clear allegiance to the...

 » Read more
(Posted by Peter Thelen 1995-07-01)

Barrock - Oxian

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Barrock is a band I want to like very much. Their music is strongly reminiscent of classic early 70s Banco (one of my favorites), both in the fluid contrapuntal writing and creative orchestration,...

 » Read more
(Posted by Rob Walker 1995-07-01)
 

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